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Mauro Pagani's 'Tutto è già qui': A Master's Introspective Roar

Mauro Pagani’s first album of new material in over two decades isn't just a return; it’s a profound, defiant statement on artistry, legacy, and the wisdom found in stripping away the superfluous.

Published
October 13, 2026
Reading time
2 min
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New music

Photo: Unknown author Unknown author / Wikimedia Commons (Public domain)

Can an artist, after six decades in the limelight, truly offer something new, something that both honors their past and critically evaluates the very genres they helped define? With the impending release of 'Tutto è già qui' on October 16, 2026, Mauro Pagani, a central figure in Italian music, seems poised to answer with a resounding yes, delivering an album described as both “intimate and angry” by Rolling Stone Italia. This isn't just another release; it's a significant, introspective return from a master, demonstrating how true artistry can evolve with age, retaining signature depth and a sharp perspective.

At 80 years old, Pagani's latest studio effort is his first collection of original songs since 'Domani' in 2003, marking a considerable 23-year gap between projects, according to Mescalina.it. The album, released by BMG, arrives amidst a period of profound personal reflection, highlighted by the documentary “Andando dove non so. Mauro Pagani, una vita da fuggiasco.” This film, which features three tracks from the new album, including the single 'Tutto mi manca', delves into his temporary memory loss following a neurological issue, prompting Pagani himself to declare, “Sono vivo per caso”—I'm alive by chance, as reported by Ondarock. This profound experience undoubtedly infuses 'Tutto è già qui' with a raw, introspective quality.

The Wisdom of Subtraction

Pagani's journey through music is a testament to constant evolution and a willingness to look forward, as his previous album 'Domani' already showed (Source 4). From his foundational role in Premiata Forneria Marconi (PFM) to his legendary collaboration with Fabrizio De André on albums like 'Creuza de mä' and 'Le nuvole', he has always been a force of innovation, seeking new sonic territories. Yet, with 'Tutto è già qui', there's a sense of distillation, a refinement born from experience. His reflections on working with De André, whom he describes as

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